Christ - The Album | ||||
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Studio album by Crass | ||||
Released | 1982 | |||
Recorded | July 1981 - February 1982 | |||
Genre | Punk rock/Anarcho punk | |||
Length | 95:23 | |||
Label | Crass | |||
Producer | Crass | |||
Crass chronology | ||||
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Christ – The Album is Crass' fourth album, released in 1982. It was released as a boxed set double vinyl LP package, including one disk of new studio material and another, entitled Well Forked.. but not dead, featuring a live recording of their June 1981 gig at the 100 Club in London along with other studio tracks, demos and tape fragments.
The album also included a book, A Series Of Shock Slogans and Mindless Token Tantrums (which featured Penny Rimbaud's essay The Last of the Hippies [1], telling the story of the suspicious death of his friend Wally Hope) and a large size poster painted by Gee Vaucher.
The album took over a year to record, produce and mix, during which time the Falklands War had taken place. This caused Crass to fundamentally question their approach to making records, for as a group whose very reason for existing was to comment upon political issues, they felt they had been overtaken and made to appear redundant by real world events.
Subsequent releases, including the singles "How does it Feel to Be the Mother of A Thousand Dead" and "Sheep Farming in the Falklands" and the album Yes Sir, I Will saw the band strip their sound 'back to basics' and were issued as 'tactical responses' to political situations.
Re-releases of the album bear the line "With love to Steve Herman who died on the 4th of February 1989" on the back cover. Steve Herman was Crass' guitar player during their first few months.
The 'Crassical Collection' version of this release, including new artwork by Gee Vaucher, remastered sound, liner notes by Steve Ignorant and Penny Rimbaud, and bonus material, was released May 2011. It does not contain the original album cover or any of the material from the 'Series Of Shock Slogans' booklet.
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Review scores | |
Source | Rating |
Allmusic | [1] |
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